Processional Brothers · Suhalia Projects
65 performance scores, with their particular edition and rights statement recorded below. Open a title for attribution, alterations, provenance and the exact MusicXML file. Hymns generally contain one complete stanza; work-specific scope appears in each record.
Processional Brothers is made by Owen Arthur. The instrument uses browser-native JavaScript, Canvas and Web Audio; no third-party runtime libraries or recorded choir samples are bundled. Original program identifiers remain compatible with earlier settings files.
Chorale Corpus scores and their adaptations carry CC BY-NC-SA 4.0; the Josquin Research Project score carries CC BY-NC 4.0. Those copies are for noncommercial use. Attribution and share-alike conditions continue to apply to the respective scores and adaptations. Source editions are not relicensed as program code.
New four-part demonstration (2026); sixteenth-century melody and Kethe stanza checked against the Sternhold and Hopkins Psalter (1628).
Public domain; the new four-part exercise is offered under CC0 1.0.
The Methodist Hymnal (1909), hymn 50
Public domain. Psalter’s normalized transcription is offered under CC0 1.0.
The Evangelical Hymnal (1921), hymn 256
Public domain. Psalter’s normalized transcription is offered under CC0 1.0.
Evangelical Lutheran Hymn Book (1931), hymn 273
Public domain. Psalter’s normalized transcription is offered under CC0 1.0.
The English Hymnal (1906), hymn 318, altered with an early Episcopal Hymnal witness
Public domain. Psalter’s normalized transcription is offered under CC0 1.0.
Presbyterian Hymnal, 1911
Public domain, as declared by the Open Hymnal source record.
"A Hymnal" (Episcopal), 1916
Public domain, as declared by the Open Hymnal source record.
Presbyterian Hymnal, 1911
Public domain, as declared by the Open Hymnal source record.
"Psalms and Hymns for Divine Worship", 1867
Public domain, as declared by the Open Hymnal source record.
Conrad Kocher, 1838, alt. by William Henry Monk, 1861, alt. for "The English Hymnal", 1906
Public domain, as declared by the Open Hymnal source record.
"Hymns Ancient and Modern", 1904
Public domain, as declared by the Open Hymnal source record.
John Roberts, 1837
Public domain, as declared by the Open Hymnal source record.
Ralph Vaughan Williams, 1906
Public domain, as declared by the Open Hymnal source record.
"Evangelical Lutheran Hymn-Book", 1931
Public domain, as declared by the Open Hymnal source record.
"Appendix to Hymns Ancient and Modern", 1869
Public domain, as declared by the Open Hymnal source record.
James G. Walton, 1874
Public domain, as declared by the Open Hymnal source record.
"The English Hymnal", 1906
Public domain, as declared by the Open Hymnal source record.
"The English Hymnal", 1906
Public domain, as declared by the Open Hymnal source record.
"The Methodist Hymnbook" (UK), 1933
Public domain, as declared by the Open Hymnal source record.
"The Church Hymnal, Revised and Enlarged" (Episcopal), 1896
Public domain, as declared by the Open Hymnal source record.
William H. Cummings, 1857
Public domain, as declared by the Open Hymnal source record.
Ralph Vaughan Williams, 1904
Public domain, as declared by the Open Hymnal source record.
"Common Service Book" (ULCA), 1917
Public domain, as declared by the Open Hymnal source record.
"Hymns Ancient and Modern", 1869
Public domain, as declared by the Open Hymnal source record.
"Hymns Ancient and Modern", 1861
Public domain, as declared by the Open Hymnal source record.
"The English Hymnal", 1906, alt
Public domain, as declared by the Open Hymnal source record.
"The English Hymnal", 1906
Public domain, as declared by the Open Hymnal source record.
"Common Service Book" (ULCA), 1917
Public domain, as declared by the Open Hymnal source record.
"The Church Hymnal, Revised and Enlarged" (Episcopal), 1905
Public domain, as declared by the Open Hymnal source record.
"Common Service Book" (ULCA), 1917
Public domain, as declared by the Open Hymnal source record.
"The Chapel Hymnal", 1898
Public domain, as declared by the Open Hymnal source record.
George Ratcliffe Woodward for "The English Hymnal", 1906
Public domain, as declared by the Open Hymnal source record.
composite found in "The Lutheran Hymnary", 1913
Public domain, as declared by the Open Hymnal source record.
"The Choral Hymnal", 1888
Public domain, as declared by the Open Hymnal source record.
William Sterndale Bennett, 1863, alt
Public domain, as declared by the Open Hymnal source record.
"Order of worship for the Reformed Church in the United States", 1866
Public domain, as declared by the Open Hymnal source record.
Meyer Lyon, 1780
Public domain, as declared by the Open Hymnal source record.
'Consolation' or 'Morning Song' John Wyeth, 1813
Public domain, as declared by the Open Hymnal source record.
Ralph Vaughan Williams, 1906
Public domain, as declared by the Open Hymnal source record.
traditional from "The Sunday School Hymnal and Service Book", 1871
Public domain, as declared by the Open Hymnal source record.
composite from "The Anglican Hymn Book", 1871 and "Hymns Ancient and Modern", 1869
Public domain, as declared by the Open Hymnal source record.
Bach harmonization BWV 254; Breitkopf edition 3765, no. 2; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Bach harmonization BWV 153.1; Breitkopf edition 3765, no. 5; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Bach harmonization BWV 3.6; Breitkopf edition 3765, no. 8; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Bach harmonization BWV 26.6; Breitkopf edition 3765, no. 11; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Bach harmonization BWV 188.6; Breitkopf edition 3765, no. 25; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Bach harmonization BWV 244.54; Breitkopf edition 3765, no. 162; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Bach harmonization BWV 358; Breitkopf edition 3765, no. 195; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Bach harmonization BWV 37.6; Breitkopf edition 3765, no. 178; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Bach harmonization BWV 434; Breitkopf edition 3765, no. 367; Gertim Alberda transcription / Chorale Corpus
Underlying Bach composition and historical text: public domain. Digital edition: Gertim Alberda / Chorale Corpus, CC BY-NC-SA 4.0. Normalization and shared inner-voice underlay realization are adaptations under the same licence.
Josquin Research Project, NJE 20.9; encoded by Will Watson (2011), text and editing by Jesse Rodin (2013), MusicXML conversion by Craig Sapp.
Digital edition: CC BY-NC 4.0, The Josquin Research Project. Composition and historical Latin text are public domain.
Robert Garrigós, SATB choir-only LilyPond engraving, repository edition retained 14 September 2026; no historical copy-text is identified by the engraver.
Digital engraving: CC BY 4.0, Robert Garrigós (https://garrigos.cat). Composition and Latin text are public domain.
Breitkopf & Härtel, 1877, edited by Johannes Brahms, Süssmayr version. Mutopia 364 (24 March 2014), Martin Norbäck; updated by Francisco Vila.
Digital engraving explicitly placed in the public domain by the typesetter. Historical edition, composition and Latin text are public domain.
Breitkopf & Härtel’s Chor-Bibliothek; Robert de Vries, Mutopia 284, 23 December 2012.
Digital engraving: CC BY 3.0, Robert de Vries. Composition and Rückert poem are public domain.
Cantiones sacrae (1575), via Anthony Greening, The Oxford Book of Tudor Anthems. David Wake, Mutopia 949, 3 April 2007.
David Wake declares his digital typesetting public domain. That declaration is not a waiver of any separate rights in Greening’s modern edition; the composition and Latin hymn are public domain.
Arista Edition, as transcribed by Jeff Covey and Patrick Horgan; Mutopia 244, 13 July 2008. The retained source identifies no fuller Arista imprint.
Digital engraving and derived MusicXML: CC BY-SA 3.0, Jeff Covey and Patrick Horgan. Composition and liturgical text are public domain.
Rafael Ornes, Choral Public Domain Library, 22 December 1998, revised 10 January 1999; copy-text described as Anton Bruckner: Collected works. Complete 3-page PDF retained, with 2 score pages.
Composition and Latin text: public domain. Score: copyright 1999 Choral Public Domain Library; printed permission to freely distribute, duplicate, perform or record. Manual encoding retains this notice and attribution; no claim that the third-party engraving is covered by the hosting repository code license.
Tudor Church Music, vol. IX (Oxford University Press, 1928), Mass for Four Voices pp.17–35, Agnus Dei pp.34–35. Editor Richard Runciman Terry according to IMSLP #841694. Complete 19-page historical score retained; separate 1981 Brett excerpt contains no Agnus Dei.
Composition, Latin text and 1928 edition: public domain (edition status recorded by IMSLP). Fresh transcription credits this historical witness; no modern CPDL or Stainer & Bell permissions are invented or transferred.
Javier Ruiz del Castillo edition hosted by Nancho Álvarez; no printed copy-text identified in the file.
Digital edition credited in the retained LilyPond source. The hosting site expressly provides the source files for modification; no named blanket redistribution licence is stated there or in this file.
Nancho Álvarez edition identifying 1572, 1583b, 1589a, 1589b, 1603.
Digital edition credited in the retained LilyPond source. The hosting site expressly provides the source files for modification; no named blanket redistribution licence is stated there or in this file.
Nancho Álvarez edition; retained original-edition identifiers and editorial comments remain in the LilyPond file.
Digital edition credited in the retained LilyPond source. The hosting site expressly provides the source files for modification; no named blanket redistribution licence is stated there or in this file.
Nancho Álvarez edition identifying Cantiones (1575), no.1.
Digital edition credited in the retained LilyPond source. The hosting site expressly provides the source files for modification; no named blanket redistribution licence is stated there or in this file.
Nancho Álvarez edition; full publisher score and LilyPond preserved. No specific historical copy-text is named in the file.
Digital edition credited in the retained LilyPond source. The hosting site expressly provides the source files for modification; no named blanket redistribution licence is stated there or in this file.
Nancho Álvarez edition; full publisher score and LilyPond preserved. No specific historical copy-text is named in the file.
Digital edition credited in the retained LilyPond source. The hosting site expressly provides the source files for modification; no named blanket redistribution licence is stated there or in this file.
Julius Rietz, Breitkopf & Härtel, Werke Serie 14C, 1874–82, plate M.B. 110, pp.63–64; independently collated with M H Fan (2025), CC0.
Historical print: Julius Rietz, Breitkopf & Härtel, 1874–82, plate M.B. 110, pp.63–64. Public domain. Collated with M H Fan (2025), CC0.